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A press operator in Cincinnati told me my greens looked muddy because of my black plate, not my ink
He said most people bump the yellow and cyan when the real fix is pulling black back, and I tried it on a run of 40 shirts with a forest green print. The difference was night and day, the green finally looked like actual leaves instead of swamp water. Has anyone else had a press guy give them a tip that flipped how they set up separations?
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